Wayne Shorter Quartet at USF Verftet (NattJazz 2014)

I first heard about Wayne Shorter when my dad bought the brilliant “1+1” (Verve 1997) album he recorded with Herbie Hancock. I listened to it and was blown away – the soprano saxophone in the hands of Wayne Shorter sounded like nothing I heard before. I had a “jazz band” in my music school at the time,1 and I told the guys “Look, Shorter and Hancock play without drums and bass, so we can do it too!”, but obviously we couldn’t, and we all quickly understood that we know nothing about improvisation.

I haven’t bought any Wayne Shorter records for a couple of years. Some time ago I bought two of his classic albums – “Juju” (Blue Note 1964) and “Speak No Evil” (Blue Note 1965) – and enjoyed them, but of course this was the old post- hard-bop sound of late 60s, significantly different to Shorter’s current music which I didn’t know. That is, until last year’s release of his new2 quartet’s “Without a Net” (Blue Note 2013). Continue reading “Wayne Shorter Quartet at USF Verftet (NattJazz 2014)”

Keith Jarrett Trio 30th Anniversary Tour at De Doelen, Rotterdam

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Last Thursday I went to a Keith Jarrett Trio concert in Rotterdam. It was probably the best jazz concert experience I’ve ever had.

The very first “contemporary” jazz1 album I’ve listened to was “Standards, Vol. 1” (ECM 1983). My dad bought it when I was a teenager and played it to me, because I wanted to know other kinds of jazz than swing and bebop. I didn’t like it at first. It seemed chaotic and difficult to listen to. The melodies I knew were lost somewhere, and I didn’t understand how is this interpretation better than good old big bands. The more I listened to it, though, the more I understood, and the more I liked it. You could perhaps say that Keith Jarrett Trio’s standards taught me most things I know about jazz. I learned a lot about how a jazz trio works, how the bass underlines the chords of the piano, and how the drummer keeps things in control. But most importantly, Keith Jarrett Trio’s records opened my mind to a whole new kind of music: contemporary improvisation.

Continue reading “Keith Jarrett Trio 30th Anniversary Tour at De Doelen, Rotterdam”