DNS and domain registration services generally suck. GoDaddy people hunt elephants. Hover is okay, but has mediocre customer service (personal experience) and bad web interface (objective truth). There’s tons of bad domain registrars out there. But amongst them, there are people that know their shit and know it well, and they don’t try to scam or bullshit you.
What follows is an unpaid advertisement for ISNIC and iwantmyname.
I own a couple of domains, and amongst them is
Continue reading “Good DNS people live in remote places”
piotrkazmierczak.com used to be my primary email domain, but recently more and more often I have to spell my email address to people, and if it’s Dutch people I’m talking to, and my email is in
piotrkazmierczak.com domain, things aren’t as smooth as they should be. So I intended to simplify things, and bought
piotr.is, which I now use as my primary domain. It’s shorter, simpler, better. And it’s Icelandic.
Most of you probably don’t know, but about 5 months ago, Karolina and I bought a beautiful, red, 2013 Seat Leon coupé. We sold it today, because of our upcoming move to the Netherlands where we won’t need it, and also because it’s a major hassle moving a car to NL (a proper European federation cannot happen soon enough). It was our first car and despite the fact that we’re both pretty left-leaning, bike-riding, train-loving hippies, we were surprised how much our car–a petrol-burning, city-clogging thing–grew on us. Here is a couple of observations we made about it.
Continue reading “We sold our car today”
As some of you might have heard, the legendary Munich label ECM finally jumped on the streaming bandwagon. Yes, Manfred, I wholeheartedly agree that the beautiful music your label publishes demands to be listened on CDs and LPs, but these are harder and harder to take on a plane. With iPod Classic not sold anymore and iTunes morphing into Apple Music, music lovers will soon be left with only 3rd party solutions to keep actual music files on their smartphones. So thank you, herr Eicher, for allowing us to stream your whole catalog in 96 kbps Ogg Vorbis Spotify streams. (Did Keith Jarrett sign off on that btw? Nevermind, I know he didn’t. )
The New York Times recently published a list of their 21 “essential” ECM albums, and I agree with many of their picks. But at the end of the day they are just The New York Times, so what would they know? Here are my favorite ECM albums, which you should listen to at once. My list is of course highly subjective, but my taste is known to be notoriously better than NYT’s. Continue reading “ECM is finally streaming, and I’m here to tell you what’s good”
I always slightly disliked Yanis Varoufakis. Strike that, actually I always thought he’s a bit of a clown. Motorbike-riding, leather-jacket-clad, attention-seeking, populist, arrogant clown. Worst of all, he was part of that annoying movement of European politicians that rejected the narrative I believed in, namely that:
- One must always pay ones debts.
- EU and its institutions always know what they’re doing.
- Countries must be extremely careful with public spending and apply strict austerity measures when facing economic difficulties.
Varoufakis, an outspoken critic of European Union and its institutions, and a prime minister in a populist government was in stark opposition to that narrative, and thus to everything I knew about public-sector economics (gives you an idea of how deep my knowledge was). I really hated the man, and felt sorry for the Greek people that they had a politician like this, in as critical a function as their finance minister, in the midst of such an enormous crisis.
Continue reading ““And the Weak Suffer What They Must?””
2016 was, as The Verge put it, “a good year for weird jazz.” I’d go even further: both 2015 and 2016 show that jazz is an evolving genre, and that it became more exciting than ever before. Influences of hip-hop and electronic music are becoming more visible, new artists pop-up in places you’d never expect (I’m looking at you, LA) and push music into new territories. So while I do appreciate The Verge’s recommendations (especially Shabaka and The Ancestors), I had to add some of my own. All of them represent that very shift in jazz’s esthetics, so if you’re looking for a review of Redman & Mehldau duo, you’ll be a bit disappointed. If you enjoy fresh sound, however, read on. Continue reading “Jazz Music in 2016”